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Gapers Block
August 20, 2004
Odd Obsession
An Albuquerque, New Mexico, transplant, Brian Chankan holds
a degree in photography from the University of New Mexico
and had been
running an antique store in Chicago for two years before deciding
to "just do my own thing that I like. And this is what
I've been into for eight years," Chankan explains. "I've
been collecting movies." A mere six months later, Chankan's
movie shopping spree has come to an end and the Odd Obsession
library is open to the public.
Odd Obsession, which was
named after the 1960 film by Kon Ichikawa (Tokyo Olympiad),
specializes in rare, independent, unreleased,
camp classic, Italian horror, French New Wave, Tokyo shock, cult,
experimental, Criterion Collection, film noir, gay/lesbian, documentary
and '60s/'70s exploitation films -- including a few bootlegs
and a lot of foreign imports, even of some American films.
Many of
their films, such as the Criterion Collection and the more familiar
French New Wave films, are available elsewhere, of course, like
that Golden Standard of indie video stores in Chicago, Facets.
But a quick walk through Odd Obsession yielded several films
that Facets either doesn't carry on DVD, such as Sanshiro
Sugata,
or
simply doesn't carry at all, such as Impulse, both of which I
review below.
While Odd Obsession has an awful lot of schlock
horror and exploitation flicks for the underserved masses who
dig those
kinds of movies,
movie snobs (and I include myself here, to some extent) shouldn't
think for a second that all of their hard-to-find titles have
been justly forgotten on grounds of good taste. I actually gasped
when
I spotted their copy of Nightmare Alley, a Tyrone Power
film noir classic that the star himself considered his best film,
and which
my father has been trying to find for years (guess what you're
getting for your birthday, Dad). Also, I've been trying to track
down the 1992 Bill Couturié documentary Earth and
the American Dream for nearly eight years, to see if it
was really as mind-blowing
as my young mind thought when I first caught the tail end of
it on HBO. I could rattle on about the long list of movies I
need
to rent from there, but I would rather you head down to Odd Obsession
yourself to check out what cinematic gems the store has hidden
in its shelves.
Odd Obsession is located at 1659 N. Halsted, just
north of the North & Clybourn Red Line station. Movie rentals
are $3 each for three nights for most films (i.e., movies checked
out on Wednesday
are due back on Saturday), or $2 for some "Hollywood-ish" movies.
On Tuesdays, movies will be three movies for three nights at
$5. Join their mailing list by e-mailing brian<at>oddobsession<dot>com
with your name and address to be notified of upcoming events,
which will include free in-store screenings on Tuesdays, beginning
next
month.
Impulse
    
Directed by William Grefe.
Starring William Shatner, Ruth Roman, Jennifer Bishop, Kim Nicholas and Harold
Sakata.
Impulse is a 1974 exploitation film starring William Shatner
as Matt Stone, a womanizing con artist with a few screws loose
and a habit of biting his fingernails
when he's freaking out. Traumatized in his youth by an incident where he
ran his mother's lover through with a samurai sword to protect
her (yes, you read
that right), Matt has also developed a bad habit of killing people. Underwritten,
overacted, and with almost no direction at all, Impulse mostly sticks
to the "bad" area
of the film spectrum, occasionally crossing over into the "so bad it's
good" zone
when Shatner grabs the spotlight, such as in one random explosion at a woman
who bumps into him at a park: "Hey, watch it! What do you think you
do, own the place? You fat ... People like you ought to be ground up ...
Made into
dog food!" (Read it aloud in your worst Shatner impression, and you'll
think it's funnier. Trust me.)
Make no mistake, Impulse is undeniably terrible,
but Shatner's performance made me laugh out loud more often than I've just
snickered at some movies that
tried
to be funny, which counts for something, if not very much. When the Once
and Future Kirk isn't on-screen, the movie's complete ineptitude
occasionally makes
for entertainment as well, such as in one scene in which we see tears fall
onto a gravestone and pull back to see Tina (Kim Nicholas), the daughter
of Matt's
girlfriend Ann (Jennifer Bishop), crying -- nearly three feet away from it.
In
all movies like this (bad ones, that is), murder seems to be awfully easy
to get away with -- as if forensic science hadn't been invented
yet -- but
when terrible screenwriters try to be arty, they often inadvertently turn
their work
into comic gold, such as in this exchange between Matt and "Karate Pete," played
by Harold Sakata (Oddjob from Goldfinger):
Karate Pete: "Another
headache? Have you been going to a doctor?"
Matt: "They
... they never listen to me."
Karate Pete: "Yeah?
I know. Yeah."
Matt: "You know ... it
killed my mother when they put me in that place."
Karate
Pete: "Yeah? Yeah."
Matt: "They took care
of me there, though. I was OK. I begged them not to let me
out. I said ... it was like putting
a puppy dog out in the middle
of the
road and leaving it there."
You see, the "puppy dog" reference
is an apparent attempt at establishing a motif by the screenwriter, Tony Crechales
(the pen behind such classics as
Blood Mania and So Evil, My Sister). Earlier
in the film, Matt had accidentally driven over a dog that was
out in the middle of the road
and left it there
to die. As you can imagine, I often wondered if this movie was simply too
deep for
me to fully understand. But the finale, in which Tina protects her mother
by running Matt through with a conveniently located samurai sword,
dispelled that
entirely.
Impulse is available on DVD from Odd Obsession. No other video
rental source I know of carries it, including Facets -- probably
because it's terrible.
Like
some of Odd Obsession's rarest films, including Nightmare Alley,
Odd Obsession's copy of Impulse is from 5
Minutes to Live, an Atlanta company that specializes
in films that are "lost to the public." Sources for these films include
TV broadcasts, film-to-video transfers and foreign imports, so the picture
and sound quality will vary, but while the Nightmare Alley and Impulse discs
aren't
pristine by any means, the unavoidable fact is they're the only edition of
the films available.
Sanshiro Sugata (Judo Saga)
movie:     |
DVD:     
Directed by Akira Kurosawa.
Starring Susumu Fujita, Denjiro Okochi, Yukiko Todoroki, Ryunosuke Tsukigata,
Takashi Shimura and Ichirô Sugai.
Akira Kurosawa's first film, 1943's Sanshiro
Sugata, or Judo Saga as it is more widely known in the States, has never been
released in the US on DVD, but Odd
Obsession has a Hong Kong import edition available for rent (it's perfectly
legal, if you're concerned about that sort of thing). Set in the
late nineteenth century,
the film revolves around Saam Chee/Sanshiro Sugata (Susumu Fujita), a young
man who has come to the city to join a jujitsu school ("stream"), but on
his first night with them, he witnesses their entire school get tossed into a
river by a judo master named Yano (Denjiro Okochi), whom Sanshiro immediately
joins. A competition is held by the city's police to decide which school its
police force will study under, Sanshiro is chosen to compete on behalf of the
judo school, bringing him in conflict with Higaki (Ryunosuke Tsukigata), a slick,
Western-dressing jujitsu student. At the same time, the two opponents both want
the same girl, Sayo (Yukiko Todoroki), the daughter of Murai (Kurosawa mainstay
Takashi Shimura ), the master of the jujitsu school. Of course.
The picture quality
is decent for an unrestored film of its age, though occasionally a bit dark,
and the sound quality is about the same. This is no Criterion Collection
edition, though, unlike the copy I reviewed of Stray
Dog last month, so I expected
worse. While the video and sound are good enough, unfortunately, as is occasionally
the case with imports, the translation is wretched, even outright incomprehensible
at times. Also bizarre is that the names have all been changed for the subtitles
-- Sanshiro Sugata is renamed "Saam Chee," for instance, while Sayo
becomes "Siu" and Murai becomes "Chuen." I suspect that
the English dialogue is a translation of the Chinese translation of the original
Japanese, which would account for the Babel Fish-like quality. Still, the
names of the characters are unimportant, and the acting is strong enough that
you
can
follow the story well enough anyway. As you might have guessed from the alternate
title alone, Judo Saga is similar in plot to any number of "my kung fu
is better than your kung fu" films, so following along isn't all that
hard.
While
the fight choreography and (limited) stunt work hasn't aged well at all, the
ideas behind these scenes are still strong, provided you can think more about
what the filmmakers were attempting to do than how the shots actually appear.
Kurosawa's visuals, however, hold up quite well, even compared to his later
work. Before getting into film, Kurosawa had been a painter, and
it shows in his artfully
framed shots, as if the silver screen were a moving canvas. It is surprising
how well formed -- if not fully formed -- Kurosawa's style was in his film
debut. Any fan of Kurosawa should find Sanshiro Sugata rewarding
all the same, even
when compared with the filmmaker's later masterpieces.
Sanshiro Sugata is available
on DVD at Odd Obsession, but only on VHS at Facets. You can also purchase
it from HKFlix.com or have Odd Obsession special order
it for you. Those interested in owning the film should wait for a restored
edition with a decent translation -- although Criterion has numerous
more important Kurosawa
films to get to first, so that could be quite some time (if ever). All the
more reason to thank Odd Obsession for carrying this film on DVD
in the first place.
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